Cries and Whispers
Ingmar Berman
1972
Jean-Léon Gérôme
Pygmalion and Galeta
Oil on Canvas, 35 x 27 in.
The Metropolitan Museum of Art
New York
KAREL FUNK
Untitled 2006
XEROMANCY publication by Terence Hannum has a flip through video.
(Source: terencehannum.bigcartel.com)
"The direct gaze is useless. Then [the painting] would become a portrait."
— Michaël Borreman, 2009
Halo Study
9” x 12”
Collage
2012
Terence Hannum
Cries & Whispers
Ingmar Bergman
1972
Phallus Indusiatus
“I was fascinated by how this boundary of personal space completely disappeared on the subway,” Funk recalls by phone from his home in Winnipeg, where he returned in 2003 and works in a studio in the basement of his house. “You could see details of somebody’s ear or neck that you’d never observe just socializing with friends because there’s this boundary we all keep.”
